![]() It will be greyed out in either the Color or Deliver page. You can open the media management window under the “File” menu in either the Media Page or Edit Page. Once you get into it, it’s really self explanatory and easy to use. Let’s take a quick look at how this works. This gives me the smallest possible media storage footprint for the project, everything I need is then internal to the laptop on a drive that gives me over 1200MB/sec read and write, so for commercials or short form projects, I don’t have to think about hauling around or connecting external storage either. ![]() So, I can conform the XML they have given me in Resolve pulling from all the source media on the slow USB drive, check the conform, and then use Media Management to copy only the source files used in the timeline to my internal flash storage.ĭepending on the type of source files, I can go one step further and copy only trimmed clips. #How to export davinci resolve 12 proTo give a practical example, when I’m using my Macbook Pro Retina on the go, I keep the very fast internal flash drive free for “online” media, but often 512GB (minus OS and apps) is not enough to hold all of the source media someone might hand me on a much larger (typically USB 2) drive. You can choose all of the media in your media pool, only the media used in a particular timeline, or just clips you have selected. The most powerful thing about the Resolve Media Manager is it lets you choose exactly what media to copy, move or transcode and (depending on the codec) whether you want entire clips, or trimmed clips with or without handles. The Resolve Media Manager is one of a few tools you may not have noticed yet, but it streamlines moving media around, copying media, sharing media with other collaborators and transcoding media. #How to export davinci resolve 12 softwareFar from becoming insular and exclusive, Blackmagic Design have made sure Resolve 12 plays very well with just about every other software you might need to get the job done. This integration however has not come at the cost of other NLE’s. The numerous advantages to using Resolve as your go to NLE are largely thanks to a spectacular level of integration across toolsets and a fluidity that makes many other NLE’s seem positively clunky in comparison. Resolve is impossible to ignore and is finding its way to the core of more post production pipelines than ever before. ![]() It’s also becoming a very powerful NLE and a general workflow swiss army knife. ![]() The Resolve Media Manager is one of them.īlackmagic Design have pushed DaVinci Resolve way beyond just the world’s most loved color grading tool. Some of DaVinci Resolve 12’s most powerful tools are hiding just below the surface.
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